NIDA students bringing theatre to life at the Barracks
Whispers from the Past: The Recruiting Officer will transport visitors back in time to 1789, for an immersive representation of colonial Australia’s first known theatrical performance, The Recruiting Officer by Irish playwright George Farquhar, which was performed by convicts for the military and civilian elite as well as other convicts.
To represent the audience of the time, each of the five NIDA second-year students has designed and made a costume for a female audience member.
‘We were tasked with recreating the audience of the first known theatre production, The Recruiting Officer, which I believe happened a year or so after the first fleet of convicts arrived in Australia. On top of that, for the purpose of the exhibition, we were creating them as ghosts. This allowed us to theatricalise the pieces and make it more exciting and really historically accurate,’ commented BFA (Costume) student Lauren Ballinger.
Much like actors have to get into character when undertaking a role, students had to get into character in their own way for this project, to not only make the garments, but design them too.
‘We carried out research into the convicts who were on the first fleet that travelled to Australia, looking into their background and stories, and from that we built our own characters and designed costumes for them. We have a woman who was a nurse, a highway robber who cross-dressed as a man to evade capture, a servant girl who was wrongfully convicted, and there’s also a prostitute,’ commented BFA (Costume) student Sasha Wisniowski.
With no documented evidence of what types of clothing convicts were wearing at the time of the performance, the students looked to where they originated, which was England, Ireland and France.
‘We looked at what the lower classes were wearing around that time from those particular countries. There is a variance in what type of clothing people wore, dependant on their professional and social standing.
‘Because my character is a prostitute, she’s trying to attract attention, with colour especially. And of course everything at that time was handmade, so there are variations on the clothing. Clothing in bulk didn’t exist back then, nor did fashions across everything. Everyone had a slightly different look,’ said Ballinger.
This isn’t an average 1700s audience, however, and each is made to look ghostly, reflecting elements of their life journey. This is achieved through the finishing techniques taught as part of the Costume students’ course work.
‘Finishing comes after we’ve made the costume and it looks good, but it looks like a costume. In order to make it look more realistic, we have to break it down. That was probably the most interesting and fun part, because it really changes a costume once it’s broken down – it gives it life and character,’ said Wisniowski.
Students were given control over the whole project, from designing and making to finishing, enabling them to take full ownership of the final piece.
‘The most rewarding part about this project, aside from the learning, is that at the very end, when the garment is made, we can say: I did this, I did every part of it. I designed, made and broke it down. We’re able to really own the project. Every step has always been me. There’s a real pride we’re able to take from our work on the Hyde Park Barracks exhibition,’ said Wisniowski.
Whispers from the Past: The Recruiting Officer is on display at the Hyde Park Barracks Museum from 16 to 28 August 2017.
Announcing this year's Meroogal Women's Art Prize winnersTuesday 25 September 2018
Meet our three Meroogal Women's Art Prize 2018 winners: Tamara Dean (First Prize), Kim Davies (Second Prize) and Beth Norling (Highly Commended).