Kia Ora: compelling Kiwi stories


Telling authentic Indigenous stories from our sites with care is an important challenge for visitor interpretation staff. Dave Key spent two weeks exploring how historic sites and cultural institutions ‘across the ditch’ tell local stories, of both Māori and pakeha.

A complete narrative

New Zealand is treating me to true manaakitanga (hospitality) as I wander freely through 19th-century buildings in the Bay of Islands and Auckland. At first I wonder where the Māori stories are to be found in these pakeha (European) buildings, but it’s not long before I encounter them. On the steps of the Stone Store in Kerikeri in Northland, part of the Anglican mission founded in 1819 by Reverend Samuel Marsden, property manager Liz Bigwood reads the landscape for me, pointing out the strategic position of the (fortified site) across the river at Kororipo, where Hongi Hika, the rangatira (chief) of the local Ngāpuhi iwi (tribe), was able to watch trade ships and waka (canoes) passing between the heads and watch over ‘his’ mission.

Scott Ellife, manager of Pompallier Mission Printery in nearby Russell, shares the same passion for the complete narrative. Here, over 40,000 copies of religious teachings and gospels were translated and printed in Māori for missions and churches all over New Zealand. The site is named for French bishop Jean-Baptiste Pompallier, one of the European witnesses to the signing of the Treaty of Waitangi by more than 40 Māori chiefs and the British Crown in 1840. Ellife also tells the story of Ngāpuhi rangatira Hōne Heke, who quickly realised that the chiefly authority he believed the treaty was supposed to protect was being undermined by the Crown, and made numerous requests to successive governors that Māori mana (sovereignty/authority) be restored. In protest, he repeatedly cut down the flagstaff at Russell. The various interpretations of the treaty remain contentious to this day.

Directly across the bay from Russell are the Waitangi Treaty Grounds themselves. The birthplace of New Zealand is explored through exhibitions containing taonga (cultural treasures). Visitors can wander through the grounds and into the house of British representative James Busby, before receiving a cultural welcome in front of a replica wharenui (communal ceremonial house). Tour guides point out the significance of the wharenui facing the site of the treaty signing rather than east to meet the morning sun as is customary.

Listening to mana whenua

Manaakitanga is also alive and well in Wellington, at the impressive Museum of New Zealand Te Papa Tongarewa, which contains over 30,000 taonga. Te Papa places utmost importance on the role of iwi in telling the stories of taonga, inviting community groups to curate exhibitions. Learning directly from mana whenua (local Māori authority), visitor experience staff then share their knowledge with colleagues so that all staff have a command of Māori culture and language. This immediate access also gives staff much to draw on when delivering tours – and they didn’t disappoint, telling stories and illuminating the exhibitions with confidence and integrity. Here as elsewhere, I found staff meeting the challenge of telling Māori stories with relevance and authenticity and bringing together a strong New Zealand narrative.

Dave’s trip to New Zealand was funded by the Ruth Pope Bequest Travelling Scholarship, awarded annually to enable SLM staff members to undertake international study tours to build their knowledge and expertise.

About the Author

Smiling man in red shirt standing in front of corrugated iron surface.
Dave Key
Visitor Services Coordinator
Meroogal & Western Sydney Portfolio
In a previous life Dave Key followed his passion for music by performing in small bands and working as a music sales rep for BMG Music. Then other...

This article originally appeared in Unlocked: The Sydney Living Museums Gazette, our quarterly Members’ magazine.

More about Unlocked

Jungle House outlook Photo © Michael Lassman

Sydney Open

Share your thoughts on Sydney Open 2020Friday 13 November 2020

Thank you to everyone who joined us for this year's Sydney Open. We’d love to hear your thoughts about our first-ever digital program, and we invite you to complete our short online survey. 

Artworks on sideboard

Media release

Meroogal Women’s Art Prize 2020 Winners’ AnnouncementWednesday 23 September 2020

The Meroogal Women’s Art Prize celebrates the creativity of female artists in NSW. The 2020 Winners were announced at a modest event at the Meroogal house museum.

Group of people in front of historic house.

Rouse Hill Estate

Play along with us: House Music at Your HouseMonday 17 August 2020

We invite you to join us in a new musical experiment, bringing the music of the 19th century into the 21st century. We’ve delved into the hundreds of popular songs that survive in the collection at Rouse Hill Estate and we’ve also asked some brilliant musicians to help you explore these pieces of music from their homes and in our historic houses.