Marlborough Hall carpet (detail), designed by Rebecca Johnstone and manufactured by Brintons Pty Ltd, Australia, 2006.  Photograph by Jenni Carter. Caroline Simpson Library & Research Collection, Sydney Living Museums.
Historical research informs contemporary design, helping to give this original art deco apartment block a new lease on life.

A good pedigree

Buildings have lives, some of them have hard lives. When Marlborough Hall, an Emil Sodersten1-designed apartment block in Potts Point, began life in 1938 it was hailed as 'one of the most striking'2 buildings in the area.  And it had a good pedigree as Sodersten's other apartment blocks nearby like Werrington (1930), Wychbury (1934), and Birtley Towers (1934) were almost universally praised. Certainly the contemporary descriptions of Marlborough Hall sound enticing: the seven-storey L-shaped block of 63 'bachelor flats' was planned to offer almost every unit an ideal view of the harbour.3 But by 2003 when a group of Marlborough Hall owners asked architects Rod Howard & Associates for help, the place was in urgent need of attention: the public areas in and around the building required refurbishment, and the upgrading of services and fire standards was essential.

The entrance foyer was a shadow of its former self: lighting was unsympathetic, the flush walnut veneer had been replaced with 1970s timber board, and the original striking floral carpet had been changed to a plain grey covering which now looked worn and tired. Roy Lumby, Associate-Senior Conservation Practitioner with Rod Howard & Associates, led the works. The owners were keen to replace the carpet and accepted Lumby's suggestion that a new carpet similar to the original be sourced.

Lumby commissioned the Australian firm Brintons Pty Ltd to design and manufacture the carpet. Black and white photographs of the Marlborough Hall interior published in Building in February 1938 and Decoration and Glass in April 1938 showed the overall carpet design, but its colour was unknown as none of the original fitted carpet survived. Investigation of fashionable or probable carpet colours of the period was required, so Lumby contacted the Caroline Simpson Library & Research Collection (CSL&RC).

  • 1. Emil Lawrence Sodersteen changed his surname by deed poll to Sodersten in 1943.
  • 2. Art in Australia, 15 August 1938, p65
  • 3. Decoration and Glass, April 1938, p32

This article first appeared in Autumn 2007

Black and white photo of Marlborough Hall
View of Marlbrough Hall, 1938. Photograph by Sam Hood. Hood Collection, State Library of New South Wales.
Black and white photo of entrance foyer at Marlborough Hall
Entrance foyer at Marlborough Hall, 1938. Photograph by Sam Hood. Hood Collection, State Library of New South Wales.

Researching at the CSL&RC

Lumby and Brintons designer, Rebecca Johnstone, searched manufacturers' and retailers' catalogues, contemporary magazines and actual carpet samples at the CSL&RC. They were delighted to find two 1938 carpet runners that had been used in the public corridors of an apartment block called Mont Clair, little more than a stone's throw from Marlborough Hall. Although the designs differed, the colours of the Mont Clair carpet could be used as a guide to inform those in the recreated floor covering.

Detail of geometric motif
Marlborough Hall carpet (detail), designed by Rebecca Johnstone and manufactured by Brintons Pty Ltd, Australia, 2006. Photograph by Jenni Carter. Caroline Simpson Library & Research Collection, Sydney Living Museums.

Johnstone's brief was not to copy but rather to interpret....creating a contemporary design that retained the feel of the original

Designing a new carpet

Johnstone's brief was not to copy but rather to interpret the original Marlborough Hall carpet, creating a contemporary design that retained the feel of the original. Seeing the Mont Clair carpets, together with catalogues and magazines of the period, gave Johnstone a broader understanding of motifs and colours typical of Australian residential interiors of the period. Drawing on reference material in the CSL&RC as well as the 1938 black and white photographs of the interior of Marlborough Hall, Johnstone produce a new design. Once approved, the carpet was manufactured at Brintons' factory in Geelong, Victoria, on a 69cm (approx 27 inch) wide Jacquard Axminster loom, a similar specification to the original 1938 Marlborough Hall carpet.

The carpet has recently been installed throughout the public areas of Marlborough Hall, and new lighting, painted finishes and restored veneer panelling have been added to the entrance foyer. With the completion of other essential building works, Marlborough Hall is beginning a new phase of life.

 

For their assistance with this article, I would like thank Roy Lumby, Rod Howard & Associates, Rebecca Johnstone, Brintons Pty Ltd and the Executive Committee of the Owners Corporation SP14373 at Marlborough Hall.

About the Author

Portrait of man in dark shirt against sandstone wall.
Michael Lech
Curator
Michael Lech is curator of the Caroline Simpson Library & Research Collection (CSL&RC) and online collections at Sydney Living Museums.

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