Shrouded House: collection care at Rouse Hill House & Farm

  • Room draped in plastic sheeting.

    Principal bedroom, shrouded for conservation

    Photo Scott Hill © Sydney Living Museums

  • Ornately furnished bedroom with canopied bed and chaise longue to left and windows behind.

    The principal bedroom at Rouse HIll Farm

    Photo © James Horan for Sydney Living Museums

Staff at Sydney Living Museums work tirelessly to ensure that buildings and collections are lovingly cared for, and to secure their longevity.

Rouse Hill House & Farm was home to six generations of the Rouse and Terry families and preserves the evidence of over 150 years of their domestic life. When the house and its significant collection came to the Historic Houses Trust (now SLM) in 1986, we initiated the then new approach of preserving the collection unchanged and in situ.

Sometimes the buildings require intervention to ensure their stability and longevity. Whenever we undertake building and conservation work at one of our properties, experts from our Heritage and Collections & Access teams meet with curators and external consultants to discuss the project and how the collection will be safeguarded. In the past year we’ve undertaken two complex projects at this property – stabilising the roof of the house itself and conserving the roof of the cart shed.

Beam me up

To assess the durability of the house’s 200-year-old roof, every beam, rafter and joist was core tested to ascertain its strength. Several beams were identified as being compromised, largely due to previous termite damage. Replacing an entire beam would have entailed removing the roof, so we decided instead to use a system of supporting steel members made up of multiple smaller components bolted together. These would sit alongside the existing beams to support the roof for many years to come.

Before the works began, we evaluated the safety of the items in the rooms below, particularly the principal bedroom, which holds a rich collection of heirlooms. Choosing a cautious approach, we decided to relocate small moveable objects. The first step in the process was to take detailed photographs of the bedroom to document the precise location of objects. Items such as ornaments were then wrapped in acid-free tissue paper, boxed and moved to another room, along with the smaller photographs and artworks from the walls.

We then set about shrouding the furniture with plastic sheeting – the four-poster bed, wardrobe, dressing table, chest of drawers, and smaller pieces of furniture. The highly significant soft furnishings in the room, including the cotton curtain valances that have hung over the windows since the mid-1880s, and rare fireplace curtains, were also covered to protect them from any dust released by activity in the roof space above. The bedrooms at Rouse Hill House are already redolent with atmosphere, and ‘the shrouded house’, as we began to call it, took on an ethereal feel.

Building contractor Michael Beilby then installed the large steel beams in the roof space. When the work was completed, the shrouds were removed and the principal bedroom was given a gentle clean. The carpets, bed coverings and chaise longue were brush-vacuumed with a soft paintbrush, a process familiar to curators and conservators the world over: surface dust is painstakingly brushed into the nozzle of the vacuum cleaner, so as not to damage the fragile textiles. The mid-1880s linoleum on parts of the floor was carefully cleaned with a mixture of vinegar and deionised water. The small objects removed from the room were also cleaned before being placed back where they have rested for decades.

  • Furniture items draped in plastic.

    With all the large objects, fixtures such as window valances and the flooring covered, the Principal Bedroom indeed resembled a shrouded house.

    Photo Rebecca Jones © Sydney Living Museums

  • Furniture item draped in plastic.

    The fireplace in the Principal Bedroom houses a rare and significant set of fireplace curtains and valance. Rather than remove these important items, they were covered.

    Photo Rebecca Jones © Sydney Living Museums

  • Furniture item draped in plastic.

    After being photographed in detail, all the collection objects that usually sit atop this dressing table, were carefully wrapped in acid free tissue and packed away in another room of the house. The dressing table was then covered along with the flooring.

    Photo Rebecca Jones © Sydney Living Museums

The cart shed

Meanwhile, the corrugated-iron roof of the cart shed in the rear paddock was assessed, and the decision was made to replace several compromised sections and reinforce others, in keeping with our policy to retain and re-use as much of the original material as possible while weatherproofing the roof. The timber-slab building houses several vehicles, including a Humber Super Snipe car last registered in 1963, a 19th-century horse-drawn sulky and harvesting equipment, and many other remnant objects of farm life.

The conservation work required movement of people through the space and the removal of roof sheets and roofing timbers. Once again, small objects were photographed in situ and then relocated to a safe space. A series of temporary structures were built around the vehicles in the building both to protect them while the work occurred above, and to serve as work platforms. The resulting roof is a mix of new pieces of corrugated-iron sheets and some original ones dating from the 19th century.

These and upcoming projects at Rouse Hill House & Farm will preserve and protect the buildings and collections so that they can be enjoyed by visitors for many years to come.

Two old dilapidated vehicles in low-roofed timber and iron roofed shed.
Old car in the cart shed with cart in foreground, Rouse Hill House and Farm. Photo © James Horan for Sydney Living Museums
Items inside shed wrapped up in readiness for conservation work.
Items inside shed wrapped up in readiness for conservation work.
The Cart Shed at Rouse Hill House and Farm houses a variety of vehicles including a treasured family Humber Super Snipe, a sulky and farm machinery. While the roof of the Cart Shed was being worked on, building contractor Mick Beilby designed and constructed these timber frames to protect the collection objects inside from falling objects and the weather. Photo Rebecca Jones © Sydney Living Museums

‘Conserve as found’ at Rouse Hill House & Farm

Rather than replacing old material with new, our approach at Rouse Hill House & Farm is to support as much of the built fabric as possible, to maintain the condition of the property as it was when it came to SLM. We also aim to minimise the impact of any works on the building.

This story originally appeared in Unlocked: The Sydney Living Museums’ Gazette, our quarterly members’ magazine.

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About the author

Portrait shot of woman in outdoor setting.

Rebecca Jones

Assistant Curator

Raised in a family of collectors with a fascination for objects and stories, Rebecca Jones was destined to work with museum collections.