This award-winning magazine takes you behind the scenes of the fascinating heritage, horticulture and conservation work happening across Sydney Living Museums’ historic houses and museums.
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Unlocked 2015 Spring
Unlocked 2015 Spring: Playground.
Unlocked 2016 Autumn
Unlocked 2016 Autumn: Remembering the Rum Hospital.
Unlocked 2016 Spring
Unlocked 2016 Spring: In Good Hands.
Unlocked 2017 Autumn
Unlocked 2017 Autumn: Reviving Vaucluse House.
Unlocked 2016 Summer
Unlocked 2016 Summer: Demolished Sydney.
Unlocked 2016 Summer
Unlocked 2016 Summer: Story of Country.
1960s psychedelia at Rouse Hill House
In a short experimental period of music making, the talented young John Terry combined radical musical ideas with abstract imagery and the soundscape of Rouse Hill House.
A fisherwoman of Warrane
Daringa’s short but fascinating life reflects the connection of coastal Aboriginal peoples to the water, and the key role played by women in the fishing economy.
A Life In Crime
Curator Nerida Campbell has got the dream job – rummaging through the grit and grime of Sydney’s criminal past to help us to come to terms with the city’s dark side.
A long shadow: convict Sydney and the Hyde Park Barracks
Hailed for its architecture, and now World Heritage listed, the Hyde Park Barracks has much more to tell us about the changing experience of convicts and the growth of a restless colony.
Ambition and adventure: the early life of Arthur Phillip
During the bicentenary of Arthur Phillip’s death we looked back at the early life of this intriguing man, who had enjoyed an extraordinary career before he even set foot on a boat bound for Botany Bay.
An environment for living: Rose Seidler House
From the curtains to the coffee table and the cutlery, every object and fitting in the house Harry Seidler designed for his parents was of a functional and flexible design that reflected the modern lifestyle.
Ancient traditions, new insights
Since 2015, a series of new events privileges Aboriginal voices and experiences at SLM sites.
Bringing House Museums to Life
Joanna Nicholas relishes her job as curator of three house museums, working to make sure each one is presented, interpreted and conserved in the best possible way.
Conserving Australia’s oldest public clock
On its 200th anniversary, Australia’s oldest surviving public clock received some much-needed conservation and care.
Conserving the Arcade
The conservation of the Rouse Hill House arcade is an ongoing process of evaluation and cautious intervention.
Dig a little deeper
Fruit seeds, fragile fragments and family history – archaeologist and curator Dr Fiona Starr shares her discoveries.
European designers in Sydney
A new exhibition takes a timely look at European designers in Sydney in the postwar years: their backgrounds, their Australian careers and their legacy.
From the collection: colour cakes and old invoices
Objects provide fascinating insights into the daily lives of the people who lived at our museums. Recent research triggered by the conservation of a spike file from the Rouse Hill House collection has uncovered some interesting information.
If these walls could talk: Elizabeth Farm
A century after it was built Elizabeth Farm had become a local eyesore – forlorn, tumbling down and neglected. Then along came a plucky and energetic schoolteacher who sized it up as the answer to his family’s long-running housing troubles.
If these walls could talk: Hyde Park Barracks Museum
One of the most significant convict sites in the world, the UNESCO World Heritage listed Hyde Park Barracks was converted into Sydney’s female Immigration Depot in 1848, temporarily housing an estimated 40,000 women during its 38-year history. The barracks holds evidence of these former occupants in its walls, floors and ceilings.
If these walls could talk: Justice & Police Museum
The Justice & Police Museum houses the Water Police Station, Water Police Court and Police Court that once made up one of the city’s busiest legal hubs. Crooks and cops, thugs and judges, locals and drifters – the guilty and the innocent have all left their stories here.
If these walls could talk: Rose Seidler House
… they’d tell us intriguing things about those who have lived in our places. Step inside Rose Seidler House with Curator Joanna Nicolas.
If these walls could talk: Rouse Hill House & Farm
On the evening of 28 April 1899 the first act of a concert held at Rouse Hill House finished with a song performed by the jovial host, Edwin Stephen Rouse (1849–1931).
If these walls could talk: The Mint
Charles Miller, Frederick Sydney Hoptroff, Arthur Kilgour, Edgar Upton, Oliver Whiting, Theophilus (Theo) Bowmaker and John Gilchrist were all employees of the Royal Mint’s Sydney branch.
In conversation with Wendy Whiteley
Wendy Whiteley OAM talks to exhibition curator Veronica Kooyman about the significance of Lavender Bay in her extraordinary life as wife, muse, mother, and creator of a much-loved garden.
Lavender Bay, 1974
In early 1974, Tom Carment moved into a flat in Lavender Bay. The young artist took odd jobs to pay the rent, and found inspiration in his vibrant surroundings.
Matching snapshots
The names and stories behind street photographs are often lost with the passing of time, and we were unable to identify many of the people whose images are featured in the Street Photography exhibition. However, we’ve since learnt the moving story behind one image, of two curly-haired children.
Meet our Aboriginal Advisory Committee
A group of Indigenous advisers will guide SLM in realising our new Aboriginal Action Plan.
Meet our members: Dr Lisa Murray & Dr Mark Dunn
For our Autumn edition of Unlocked, we sat down with historians and members Lisa and Mark to chat about their love of history and Sydney Living Museums.
Meet our members: Elinor Wrobel
For our Summer edition of Unlocked 2018, we sat down with art collector, archivist, curator and former nurse, Elinor Wrobel OAM, a longstanding supporter and member of Sydney Living Museums.
Muru Mittigar Education Programs at Rouse Hill House & Farm
A partnership with Aboriginal social enterprise Muru Mittigar is transforming students’ learning experiences.
Preserving our culinary heritage
Autumn is the time when families like the Rouses of Rouse Hill House & Farm preserved the last of the warmer weather’s bounty to enjoy in the months to come.
Reconstructing history
If there is one architect who has shaped the way we think about Sydney, it is Harry Seidler, the visionary responsible for some of our most iconic skyscrapers and modernist houses.
Remembering John Macarthur
September 2017 marks the 250th anniversary of the birth of John Macarthur: wool pioneer, politician, rebel, businessman, family man, and builder of Elizabeth Farm.
Shrouded House: collection care at Rouse Hill House & Farm
Staff at Sydney Living Museums work tirelessly to ensure that buildings and collections are lovingly cared for, and to secure their longevity.
Snapped! The Ikon Studio street photographer at work
A remarkable acquisition of 5000 street snaps provides a lively and revealing record of one Sydney street in 1950 and offers a rare glimpse through the street photographer’s lens.
Stabilising the stone archway at Vaucluse House
A team of specialists undertook a delicate and complicated operation to rescue a significant 1830s stone archway from an invasive climbing plant.
Stage Royalty comes to Elizabeth Bay House
In the 1930s, Elizabeth Bay House emerged as a glamorous events venue after hosting the wedding reception of two of the most famous celebrities of the day.
Story of country: our beginning
When visiting Sydney Living Museums it can be difficult to see beyond the European colonial narrative of our past and picture these sites before the bricks and mortar were laid. But peeling back the layers of time we find ourselves immersed in a truly different landscape.
![Marion Best Pty Ltd: 'A room for Mary Quant' [Rooms on View, 1967].](https://sydneylivingmuseums.com.au/sites/default/files/styles/image_three_stack/public/COL_CSLRC_MHB_C_005_001_0.jpg?itok=1vOCqm9h)
The colour-filled career of Marion Hall Best
Interior designer Marion Hall Best had a love of colour and an uncanny ability to use it to transform a room. Sydney Living Museums holds the largest collection of Best’s work.
Timeless design
A new collaboration for Sydney Living Museums fuses history with distinctly contemporary design.
To speak the unspoken
For Aboriginal people, the Hyde Park Barracks and the convict system it oversaw represent a very different ‘founding narrative’, one that needs to be told in Aboriginal voices.
Tracing family connections
Using treasured objects from our collections, we chart the unique relationship between Rouse Hill House (c1813) and Meroogal (1885).
Tragedy on Sydney Harbour
Sydney’s worst maritime disaster occurred out of the blue on a sunny spring day in 1927. As well as the tragic loss of life, the accident is memorable for acts of heroism.
Turning the leaves of Australian garden history
The Caroline Simpson Library & Research Collection comes into bloom with a beautiful collection of rare Yokohama Nursery Company catalogues.
Unfurling Sydney’s radical past
An intriguing acquisition sheds light on the political turmoil of the 1930s and the bungled opening of the Sydney Harbour Bridge.
Vaucluse House: a centenary
A century after the honorary board of trustees voted to form Vaucluse House as a museum, we celebrate their vision and pay tribute to the role Sydney Living Museums has played in preservation, conservation and interpretation.
Welcome to Unlocked
Welcome to the Winter 2014 online edition of the Sydney Living Museums' Gazette: Unlocked.
What lies beneath: conservation works
Two recent conservation projects at Rouse Hill House & Farm and Vaucluse House demonstrate the complex factors to consider when working with heritage buildings.
‘A most excellent brick house’: Elizabeth Farm
Curator Dr Scott Hill explores some of the enduring mysteries buried in the architecture of Australia’s oldest surviving homestead.
‘Everyone worked at the waterfront’
Sydney Harbour was the lifeblood of the thriving working‑class community who once lived in The Rocks, including the residents of the four terrace houses that now make up Susannah Place Museum.
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