‘Man, body, music, and light as one… A perfect amalgam between man-machine.’ Amnplify
‘Attending Alon Ilsar’s performance this time was ever more like peeking around the corner of the time-space continuum and glimpsing the future’. John Shand, Sydney Morning Herald
Alon Ilsar is an Australian based drummer, composer, instrument designer and researcher.
He is the co-designer of a new gestural instrument for electronic percussionists, the AirSticks, and is currently researching the uses of the AirSticks at Monash University's SensiLab in the field of health and well being, making music creation more accessible to the broader community.
Alon holds a PhD in instrument design through the University of Technology Sydney. He has played the AirSticks at Sydney’s Vivid Festival, on Triple J’s Like a Version and at NYC’s MET Museum, with projects such as Trigger Happy ‘Visualised’, The Hour, The Sticks, Tuka (from Thundamentals), Sandy Evans’ ‘Ahimsa’ and ‘Rockpool,’ Ellen Kirkwood’s ‘[A]part‘, Kirin J Callinan, Kind of Silence (UK), Cephalon (US), and Silent Spring. He has played drums in Belvoir Theatre’s ‘Keating! the Musical,’ Sydney Theatre Company’s ‘Mojo,’ Meow Meow with the London Philharmonic, Bergen Philharmonic, Sydney, Melbourne and Western Australia Symphony Orchestras, Stephanie Lake’s ‘Manifesto,’ Alan Cumming, Jake Shears and Eddie Perfect.